Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed woodcut by Peter Flötner depicting a diplomatic meeting between Emperor Maximilian I and King Henry VII, rendered in a classic Northern Renaissance style.
This woodcut by Peter Flötner depicts a diplomatic encounter between Emperor Maximilian I and King Henry VII. The composition is typical of early sixteenth-century German printmaking, where narrative clarity takes precedence over atmospheric perspective. Flötner employs a firm, clear line to delineate the figures, their armour, and the heraldic elements present in the scene.
The central figures are positioned to suggest a formal agreement, with a kneeling intermediary bridging the gap between the two monarchs. Behind them, a ship serves as a backdrop, indicating the maritime context of their meeting. The inclusion of banners, specifically those bearing the Tudor rose, provides historical markers for the viewer. The figures are rendered with attention to the fashions of the period, including the distinctive puffed sleeves and plate armour common in the Holy Roman Empire and the English court.
Flötner, active in Nuremberg, was a versatile artist known for his work in sculpture, goldsmithing, and print design. His approach to woodcut illustration is characterised by a disciplined use of hatching to create volume and shadow. The print avoids excessive ornamentation, focusing instead on the interaction of the figures and the symbolic weight of the diplomatic gesture. The work reflects the period's interest in documenting political history through accessible, reproducible media. By utilising the woodcut medium, such images could circulate among a wider audience, documenting the alliances and power dynamics of the European Renaissance. The print remains a clear example of the graphic style prevalent in the workshops of Nuremberg during the early decades of the sixteenth century, where the marriage of technical precision and narrative storytelling defined the output of master craftsmen.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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