Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










Cyprián Majerník's "Massacre of the Innocents" is a haunting expressionist painting depicting a biblical scene with distorted figures and unsettling composition. This fine art print offers a thought-provoking and emotionally resonant addition to any home.
Cyprián Majerník's haunting "Massacre of the Innocents" is a powerful expressionist work, rendered in oil on canvas. Majerník, a Slovak artist who tragically died young, often grappled with themes of war, social injustice, and human suffering. This painting, with its distorted figures and unsettling composition, reflects the anxieties of the mid-20th century. The scene, a biblical reference to the infanticide ordered by King Herod, is depicted with a stark, almost abstract quality. The colour palette, dominated by muted blues, browns, and greys, enhances the sense of dread and despair. The angular forms and heavy outlines contribute to the overall feeling of unease. As a fine art print, this work offers a thought-provoking and emotionally resonant addition to any home. Its historical significance and artistic merit make it a compelling conversation piece, while its sombre tones and expressive style can create a dramatic focal point in a living room, study, or hallway. The print serves as a reminder of the fragility of life and the enduring power of art to confront difficult subjects.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Cyprián Majerník, a master of melancholic modernism, captured the anxieties of pre-war Europe through his poignant depictions of clowns and urban isolation.
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