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Marseille, an Old Port - Paul Signac

Sale price£28.00
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
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Paul Signac's 'Marseille, an Old Port' captures the shimmering light and atmosphere of the Mediterranean harbour using the pointillist technique. This Neo-Impressionist painting features sailing ships and colourful buildings rendered in small dots of colour.

Paul Signac, a leading figure in Neo-Impressionism, painted 'Marseille, an Old Port' using the pointillist technique he developed with Georges Seurat. Born in Paris, Signac explored coastal scenes throughout his career, capturing the effects of light and atmosphere on water and architecture. He was drawn to the Mediterranean ports, including Marseille, for their bustling activity and colourful settings. This painting presents a hazy view of the old port, rendered with small, distinct dots of colour that blend optically when viewed from a distance. The composition features sailing ships with tall masts along the left side, balanced by buildings and structures on the right. The water in the foreground reflects the colours of the sky and the surrounding port, creating a sense of unity and harmony. The overall effect is one of shimmering light and atmospheric perspective, characteristic of Signac's Neo-Impressionist style.

Crafted for a Lifetime

  • Premium materials

    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

  • Museum-grade prints

    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

  • Crafted in the UK

    Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.

  • Ready to hang

    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

Crafted for a Lifetime — frame exploded view

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Fine Art Poster

Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

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Museum Quality Poster

Our Master's Edition 250gsm archival paper, in off-white and uncoated, offers museum-quality for art enthusiasts seeking a luxurious way to enjoy world-class artworks.

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Fine Art Framed

The same 200gsm fine art paper and 12-colour giclée process as our museum posters, mounted in a solid wood frame with UV acrylic glaze and rigid backing. Ready to hang.

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Standard Wood Frame

Classic 200gsm premium matte paper with 8-colour giclée printing, set in a durable wooden frame with lightweight acrylic glaze. Ready to hang.

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Gallery-wrapped slim canvas, hand-stretched for clean edges. Adds depth and texture for a painterly finish. Delivered ready to hang.

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Our premium finish, a richly textured canvas set in an elegant floating wood frame. Combines depth, texture, and craftsmanship for a gallery-worthy presentation. Delivered ready to hang.

What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk
Paul Signac

Paul Signac

owning thirty-two boats, leading Neo-Impressionism after Seurat's death, and renaming a painting about anarchy to get it past the censors