A study of light and texture at the artist's estate, featuring a circular basin surrounded by thujas, rendered in rhythmic, divisionist brushstrokes.

Henri Martin acquired the estate of Marquayrol in Labastide-du-Vert in 1900. This property became the primary subject for his work during the latter half of his career. The artist found endless inspiration in the gardens, terraces, and water features of the estate. This painting captures a circular basin surrounded by thujas, rendered through the artist's characteristic divisionist technique.

Martin applied paint in short, rhythmic strokes of colour. These marks do not blend fully on the canvas, allowing the viewer's eye to synthesise the light and atmosphere. The composition focuses on the contrast between the dark, reflective surface of the water and the surrounding foliage. The greens vary from deep emerald to bright lime, reflecting the dappled sunlight filtering through the trees. The circular form of the basin provides a geometric anchor within the organic, shifting textures of the garden.

Unlike the strict scientific approach of early Neo-Impressionists, Martin used this technique to convey a personal, poetic response to his immediate environment. The application of paint creates a sense of movement, as if the air itself is vibrating above the water. The work avoids sharp outlines, favouring a soft, atmospheric quality that defines the artist's mature style. By focusing on the play of light across the garden, Martin captures a specific moment of quietude at Marquayrol. The painting demonstrates his ability to transform a domestic garden scene into a study of light, colour, and texture, maintaining a balance between observation and decorative effect.