Man in a Dressing Gown, Reading the Newspaper - Paul Gavarni
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A detailed lithograph by Paul Gavarni depicting a man in a dressing gown focused on his newspaper, capturing a quiet moment of domestic life.
Paul Gavarni, born Sulpice Guillaume Chevalier, was a prolific French caricaturist and illustrator. His work captured the social nuances of nineteenth-century Parisian life with precision and wit. This lithograph depicts a man seated in a relaxed posture, absorbed in his newspaper. He wears a dressing gown, a garment that suggests a domestic setting and a moment of private leisure. Gavarni utilised the lithographic medium to achieve a soft, tonal quality that mimics the appearance of charcoal or pencil sketches. The artist focused on the subject's posture and the folds of his clothing, creating a sense of volume through subtle shading. The man's expression is one of concentration, his gaze fixed upon the text. The background remains minimal, ensuring the viewer's attention stays on the figure and his quiet activity. During this period, lithography allowed artists to produce prints that retained the spontaneity of their original drawings. Gavarni was particularly skilled at observing the everyday habits of the bourgeoisie. This print reflects his interest in the mundane routines of his contemporaries. The composition is balanced, with the figure positioned centrally against a plain backdrop. The lines are fluid, demonstrating the artist's technical command over the lithographic stone. This work provides a glimpse into the domestic habits of the era, capturing a fleeting moment of stillness in a rapidly changing society.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Man in a Dressing Gown, Reading the Newspaper - Paul Gavarni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
You May Also Like

