Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Joan Miró's 1935 Surrealist painting, "Man and Woman in Front of a Pile of Excrement", features biomorphic figures and bold colours, reflecting the artist's unique vision and the turbulent times.
Painted in 1935, Joan Miró's "Man and Woman in Front of a Pile of Excrement" is a striking example of his Surrealist period. The painting features biomorphic forms and figures set against a stark, contrasting background. Miró's use of colour is bold, with reds, yellows, and blues dominating the composition. These colours create a sense of tension and unease, reflecting the turbulent political climate of the time. The simplified, almost childlike figures are characteristic of Miró's style, which sought to tap into the subconscious and challenge conventional artistic norms. The 'pile of excrement' in the title and implied in the painting adds a layer of dark humour and social commentary, typical of Surrealist art's rejection of bourgeois values. The painting is not merely an abstract composition; it is a statement, a visceral reaction to the world around Miró. The canvas is divided into distinct zones, with the figures occupying a space that feels both dreamlike and confrontational. The overall effect is one of unsettling beauty, inviting viewers to contemplate the complexities of human existence and the artist's unique vision.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Wanted to murder painting, spent sixty years making paintings instead, and was called the most Surrealist of all by Breton.
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