A graphite study by Jacques-Louis David depicting Madame de Fontanges, featuring the artist's original grid lines for proportion.

This graphite study by Jacques-Louis David captures Madame de Fontanges, a lady-in-waiting to Letizia Ramolino, the mother of Napoleon Bonaparte. The drawing originates from a sketchbook used by the artist during the period surrounding the coronation of the Emperor. It provides a glimpse into the methodical process David employed when preparing for his large-scale commissions.

The figure is depicted in a seated position, wearing the high-waisted gown characteristic of the Empire style. David uses a series of faint, horizontal grid lines across the page, which served as a guide for scaling the composition or ensuring correct anatomical proportions. The lines remain visible, offering a direct connection to the artist's technical approach. The subject is rendered with economy, focusing on the silhouette and the fall of the fabric rather than elaborate shading or texture. Her expression is calm, and her posture is upright, reflecting the formal decorum expected within the imperial court.

As a primary document of the Napoleonic era, this sketch demonstrates the precision required of a court painter. The inclusion of the subject's name in the lower margin, written in a contemporary hand, confirms her identity within the social hierarchy of the time. The work is devoid of extraneous detail, allowing the viewer to observe the structural foundations of David's portraiture. It is an example of the discipline inherent in Neoclassical draftsmanship, where clarity and order take precedence over decorative flourish. This print preserves the subtle quality of the original graphite marks, maintaining the integrity of the sketchbook page as a historical object.