A minimalist geometric print by Dorothea Rockburne, exploring the intersection of mathematics and paper folding.

Dorothea Rockburne is a practitioner of mathematical rigour in art. Her work often engages with the physical properties of materials, specifically the folding and manipulation of paper. Locus #2 belongs to a series where the artist explores the relationship between geometry and the two-dimensional plane. The composition relies on the precise intersection of lines created by the physical folding of the paper surface. By treating the paper as a structural element rather than a passive support, Rockburne invites the viewer to consider the mechanics of space and form.

This print captures the essence of her process, where the visual weight is distributed through angular shifts and clean, sharp edges. The work avoids decorative excess, focusing instead on the clarity of the geometric arrangement. Rockburne often draws inspiration from set theory and topology, applying these concepts to the creation of her prints. The result is a study in balance, where the negative space and the folded planes interact to define the boundaries of the image. The muted palette ensures that the focus remains on the structural integrity of the piece, allowing the viewer to observe the subtle shadows and lines that emerge from the folds. This approach reflects her interest in the intersection of art and mathematics, providing a clear view of the logic behind the composition. The print serves as a record of a physical action, frozen in time, where the act of folding becomes the primary subject of the work. It is a precise, calculated exploration of how simple geometric operations can generate complex spatial relationships on a flat surface.