Lion devouring an Arab horse - Eugène Delacroix
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Description
A powerful lithograph by Eugène Delacroix depicting a lion in a raw, predatory struggle with a horse, capturing the intensity of the Romantic movement.
Eugène Delacroix, a central figure of the French Romantic movement, produced this lithograph during a period of intense fascination with the raw power of nature. The work depicts a lion in the act of consuming a horse, a subject that allowed the artist to explore themes of primal struggle and the untamed wilderness. Delacroix often returned to the motif of the hunt, drawing inspiration from his travels in North Africa and his observations at the Jardin des Plantes in Paris. The composition is defined by the physical tension between the two animals. The lion is positioned over the fallen horse, its muscles taut and its gaze fixed, while the horse lies in a state of defeat. The use of lithography enables a range of tonal values, from the deep shadows of the rocky background to the textured rendering of the lion's mane and the horse's coat. The artist employs energetic, expressive lines to convey the violence of the scene, avoiding static representation in favour of a dynamic, almost kinetic quality. Delacroix was known for his interest in the emotional resonance of his subjects. By focusing on the predatory instinct, he captures a moment of brutal reality. The contrast between the predator and the prey serves to heighten the drama of the composition. This print reflects the artist's technical skill in printmaking, where he manipulated the stone to achieve atmospheric depth and tactile detail. It remains a representative example of his interest in the animal world as a mirror for human passion and conflict, stripped of civilised restraint. The work is devoid of moralising intent, focusing instead on the visceral nature of the encounter.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Lion devouring an Arab horse - Eugène Delacroix
Artist Biography
Eugene Delacroix
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Eugène Delacroix
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
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