A precise woodcut print by Reijer Stolk, featuring a systematic list of human back and arm muscles in German and Latin, reflecting the geometric clarity of the De Stijl movement.

This woodcut print by the Dutch artist Reijer Stolk presents a systematic anatomical catalogue of human musculature. The work is organised into a clear, hierarchical structure, listing muscle groups in both German and Latin. Stolk, who was associated with the De Stijl movement, applied a rigorous approach to the arrangement of text, treating the characters as geometric elements within a balanced composition. The stark contrast between the black ink and the paper surface reflects the aesthetic principles of early twentieth-century modernism, where clarity and functional design were prioritised.

The print functions as both a scientific reference and a graphic exercise. By isolating the nomenclature of the back and arm muscles, Stolk removes the biological subject from its organic context, presenting it instead as a series of labels. The typography is clean and sans-serif in character, typical of the period's move toward simplified, legible forms. The horizontal black bars serve as dividers, creating a rhythmic visual flow that guides the eye down the list. This piece demonstrates the intersection of medical illustration and avant-garde graphic design, showing how technical information could be transformed into a structured visual object.

Reijer Stolk was a versatile artist, known for his work in various media including painting, sculpture, and graphic arts. His involvement with the Dutch modernists allowed him to experiment with the relationship between text and space. This particular print is a fine example of how the artist utilised the woodcut medium to achieve sharp, precise lines that mimic the mechanical nature of printed type. It is a piece that appeals to those interested in the history of typography, anatomical study, and the development of modernist graphic design in the Netherlands.