A modernist woodcut print by Reijer Stolk, featuring a structured anatomical list of human muscles in German and Latin.

This woodcut print by the Dutch artist Reijer Stolk presents a systematic anatomical catalogue, documenting the musculature of the neck, arm, and side. The work functions as a didactic chart, pairing German anatomical terminology with Latin nomenclature. Stolk, a figure associated with the Dutch avant-garde, employs a stark, geometric approach to typography that aligns with the principles of the De Stijl movement. The composition relies on the rigid structure of the woodblock medium, where bold, horizontal black bars serve as headers for various muscle groups, creating a rhythmic, grid-like visual order.

The lettering is characteristic of early twentieth-century modernist graphic design, favouring clean lines and a lack of ornamentation. Each entry is numbered, providing a clear, logical progression through the human anatomy. The print avoids the illustrative excess often found in medical texts of the era, opting instead for a minimalist, structural presentation of information. The contrast between the dark, heavy ink of the text and the neutral paper background creates a graphic clarity that is both functional and aesthetic. This piece reflects the broader interest among artists of the period in the intersection of scientific inquiry and geometric abstraction. By reducing the complexity of human anatomy to a structured list, Stolk transforms clinical data into a formal exercise in typography and balance. The print remains a compelling example of how modernist design principles were applied to educational and scientific materials during the interwar period in the Netherlands.