Leaf of a Projected Edition of Froissart - William Morris
Archival giclée
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Description
A page from William Morris's unfinished Kelmscott Press edition of Froissart's Chronicles, featuring his signature Chaucer typeface and ornate woodcut borders.
This page represents a fragment of an ambitious project by William Morris, intended to be a Kelmscott Press edition of the Chronicles of Jean Froissart. Morris, a central figure in the Arts and Crafts movement, sought to revive the quality of medieval book production. He designed the typeface, known as Chaucer, specifically for his press, drawing inspiration from the early Venetian printers. The text is set in two columns, framed by elaborate woodcut borders that Morris designed himself. These borders feature dense, organic foliage patterns, reflecting his interest in medieval illuminated manuscripts and the natural world. The layout demonstrates the careful balance between text and ornament that defined the Kelmscott aesthetic. Morris believed that a book should be a unified work of art, where the typography, margins, and illustrations functioned as a cohesive whole. The heavy black ink and the stark contrast against the paper surface are characteristic of his printing philosophy. Although the Froissart project remained incomplete at the time of his death in 1896, the surviving proofs offer a clear view of his technical precision and his dedication to traditional craftsmanship. The borders are populated by swirling vines and floral motifs, which surround the black-letter type. This work provides a window into the final years of Morris's career, during which he focused almost exclusively on the production of fine books. It remains a significant example of his influence on modern graphic design and printing history, showing his ability to integrate historical styles with his own distinct decorative vision.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Leaf of a Projected Edition of Froissart - William Morris
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
William Morris
Morris learned his craft through a unique blend of academic study, artistic collaboration and hands-on experimentation. While at Oxford University he immersed himself in medieval literature and architecture, forging lifelong friendships with Pre-Raphaelite painters who shared his passion for nature and medieval aesthetics. After graduation he studied pattern making, dyeing and weaving techniques by working directly with artisans and by founding the firm Morris, Marshall, Faulkner & Co. in 1861. This workshop-school model allowed Morris to develop his signature style—melding historic motifs with innovative colour palettes—while training a generation of craftsmen in hand block printing and tapestry weaving.
He became known for his most popular artworks through an enduring series of textile and wallpaper patterns that remain iconic today. Designs such as Strawberry Thief, inspired by thrushes in his own kitchen garden; Willow Bough, with its dancing branch motif; and Trellis, featuring interlacing vines, exemplify the seamless blend of function and beauty at the heart of Morris & Co. These bestselling William Morris wallpaper designs and fabric prints were exhibited at international fairs and commissioned for country houses and town residences throughout Britain and beyond. By combining rich botanical imagery with meticulous handcraft techniques, Morris's most popular artworks set new standards in decorative design and continue to influence interior trends worldwide.
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