Landscape near Chatou - André Derain
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A 1904 Fauvist work by André Derain, capturing a view near Chatou through bold, non-naturalistic colour and rhythmic brushwork.
André Derain painted this view near Chatou in 1904, a period during which he worked closely with Henri Matisse. The work displays the characteristics of the Fauvist movement, which prioritised subjective colour choices over naturalistic representation. Derain applies paint in distinct, visible strokes, creating a surface that feels immediate and energetic.
The composition is dominated by the dark, skeletal forms of trees in the foreground. These branches act as a screen, partially obscuring the view of the buildings and terrain behind them. Derain uses a palette of unexpected tones, including deep blues for the sky and foliage, contrasted against the warm, earthy oranges and greens of the ground. This approach rejects traditional modelling and shadow, opting instead for flat areas of colour that define the spatial arrangement of the scene.
Chatou, a commune on the banks of the Seine, was a frequent subject for artists of the era due to its proximity to Paris and its rural character. In this work, Derain captures the essence of the location through a lens of experimentation. He avoids fine detail, focusing on the relationship between the dark, rhythmic lines of the tree trunks and the blocks of colour that make up the background. The result is a composition that feels both structured and spontaneous. This piece offers a clear example of the shift in early twentieth-century painting, where the artist's personal response to the subject matter takes precedence over objective documentation. The work remains a study in the application of non-naturalistic colour to define form and depth within a familiar setting.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landscape near Chatou - André Derain
Artist Biography
Andre Derain
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like