A 1896 lithographic poster by Henri de Toulouse-Lautrec advertising the satirical journal La Vache Enragée, featuring a dynamic and humorous scene of a man fleeing a cow.

This lithographic poster, created by Henri de Toulouse-Lautrec in 1896, serves as an advertisement for the satirical journal La Vache Enragée. The composition captures the chaotic energy of Parisian street life, a common subject for the artist during his career in Montmartre. Toulouse-Lautrec employs his characteristic economy of line, using bold, sweeping contours to define the figures while leaving large areas of the paper surface unadorned.

The scene depicts a panicked gentleman fleeing from a charging, reddish-orange cow, a visual pun on the journal's title. The man, dressed in formal attire with a yellow face and spectacles, brandishes an umbrella as he runs, his posture conveying a sense of frantic movement. Behind him, other figures, including a cyclist and a leaping man, contribute to the sense of disorder. The dog in the foreground adds a further element of unpredictability to the composition.

Toulouse-Lautrec was a master of the poster medium, adapting his style to the requirements of commercial printing. He utilised flat planes of colour and strong silhouettes to ensure his designs were legible from a distance. The typography is integrated into the overall design, with the journal's details presented in a clear, sans-serif style that complements the graphic nature of the illustration. This work demonstrates the artist's ability to blend caricature with sophisticated design principles. The use of a limited palette, dominated by the warm tones of the cow against the cooler green of the man's coat, creates a visual tension that draws the viewer's eye across the page. The work remains a fine example of the Belle Époque era's graphic output, reflecting the wit and irony prevalent in the satirical press of late nineteenth-century France.