La Belle Jardinière: Novembre - Eugène Grasset
Archival giclée
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Description
A refined Art Nouveau lithograph by Eugène Grasset, depicting a woman in a garden setting during the month of November.
Eugène Grasset was a central figure in the development of Art Nouveau, particularly through his influence on graphic design and decorative arts. This piece belongs to his series titled La Belle Jardinière, which depicts a woman tending to a garden across the changing months of the year. The work demonstrates his mastery of the lithographic process, utilising clear outlines and a controlled palette to define form and space. The composition features a woman in a patterned dress, stooped to gather flowers in a basket. The surrounding trees, stripped of their leaves, suggest the onset of autumn, while the orange sun provides a warm contrast to the muted greens and browns of the garden. Grasset employs a decorative frame, a common device in his work, which integrates the text element into the overall design. The lettering for the month is contained within a diamond shape, balanced by the organic curves of the branches and the figure. Grasset often drew inspiration from nature, yet he filtered these observations through a stylised lens. His approach to illustration prioritised clarity and balance, avoiding excessive ornamentation in favour of structured, rhythmic lines. This print reflects his interest in the synthesis of fine art and functional design, a hallmark of the period. The figure is rendered with a sense of quiet focus, her posture echoing the gentle curves of the flora. By combining human activity with seasonal shifts, Grasset captures a narrative quality that remains accessible and visually engaging. The work serves as an example of the high standards of graphic production in late nineteenth-century France, where the boundaries between commercial illustration and fine art were frequently blurred.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
La Belle Jardinière: Novembre - Eugène Grasset
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Eugène Grasset
Grasset was born in Lausanne in 1845, the son of a cabinetmaker and sculptor who taught him to use a chisel before he could draw. He studied drawing under Francois Bocion, then architecture in Zurich. A trip to Egypt after completing his education left a permanent mark on his visual vocabulary. He moved to Paris in 1871 and began designing furniture, wallpapers, fabrics, tapestries, ceramics and jewellery before turning to graphic design in 1877.
Poster art became his primary medium. His style drew on Viollet-le-Duc's theories of decorative structure, Japanese woodblock prints and Egyptian ornament, combined into flowing compositions that helped define Art Nouveau before the term existed. The G. Peignot et Fils typefoundry introduced the "Grasset" typeface at the 1900 Universal Exhibition, an italic design he created for use on his posters. He also collaborated with the jeweller Henri Vever on pieces that merged Art Nouveau organic forms with mythological subjects.
He taught design at a succession of Paris institutions from 1890 until 1913, including the Ecole Guerin, the Ecole Estienne and the Academie de la Grande Chaumiere. His influence on the generation of designers who followed him was extensive but largely unacknowledged outside France. He died in 1917, at seventy-two.
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