An eighteenth-century etching by Jan Caspar Philips depicting the traditional attire of the Khoikhoi people in a natural setting.

This etching, titled Kleding der Hottentotten, is a work by the Dutch engraver Jan Caspar Philips. Produced during the mid-eighteenth century, the print reflects the European interest in documenting the cultures and appearances of indigenous peoples encountered during the era of global exploration. The composition depicts two Khoikhoi figures in a natural setting, with a distant view of a settlement visible in the background.

Philips employs a precise, linear technique characteristic of the period. The figures are rendered with attention to their attire, including animal skin cloaks, beaded jewellery, and leg coverings. The artist uses cross-hatching to define the contours of the figures and the rocky outcrop against which they stand. The inclusion of a pipe and a staff provides specific details regarding the daily life and customs as perceived by the European observer of the time.

As an ethnographic record, the print serves as a document of how eighteenth-century Dutch society visualised the Khoikhoi people. It is important to note that such illustrations often filtered indigenous reality through the aesthetic conventions of European printmaking. The figures are posed in a manner that suggests a classical influence, despite the subject matter being drawn from the Southern African context. The work appeared in publications documenting travel and geography, which were popular among the educated classes in the Netherlands. This print offers a view into the historical intersection of colonial documentation and artistic practice, providing a clear example of the graphic styles used to disseminate information about distant lands to a European audience.