A refined lithographic calendar page for February by Theo van Hoytema, featuring a central owl illustration framed by decorative avian motifs.

This lithograph by Theo van Hoytema, titled Kalenderblad februari met uil, originates from a series of calendar designs produced in the early twentieth century. Van Hoytema was a Dutch artist known for his focus on natural history, particularly birds, which he rendered with a distinct blend of observation and decorative stylisation. This piece exemplifies his approach to graphic design, where the subject matter is integrated into a structured, ornamental frame.

The central image features a perched owl, depicted with careful attention to its plumage and posture. The composition is divided into two primary sections: the upper portion houses the primary illustration, while the lower portion contains the calendar grid for the month of February. The surrounding border is decorated with small, stylised owl motifs, creating a cohesive visual theme that ties the functional calendar elements to the artistic subject. The colour palette remains restrained, relying on earthy tones and muted yellows to maintain a sense of balance.

Van Hoytema was a master of lithography, a medium that allowed him to experiment with texture and line. His work often appeared in books and decorative prints, reflecting the influence of the Art Nouveau movement through its emphasis on organic forms and rhythmic patterns. The typography within the calendar grid is clear and functional, demonstrating the artist's ability to balance aesthetic concerns with the practical requirements of a calendar. This print offers a glimpse into the intersection of fine art and commercial design during the turn of the century, showcasing the artist's technical skill and his affinity for avian subjects. The work remains a fine example of Dutch graphic art from this period, capturing a quiet, observant quality that is characteristic of Van Hoytema's broader body of work.