Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
A 1672 historical map of Westphalia by Jan Matthysz., featuring detailed etching of Roman-era tribal territories and topography.
This etching, titled Kaart van Westfalen, is a historical map dating to 1672. It depicts the region of Westphalia as it was conceptualised during the Roman period, rather than the contemporary geography of the seventeenth century. The map focuses on the tribal territories and topographical features of the area, using stylised symbols to represent forests, hills, and river systems. The cartographic approach is typical of the period, prioritising historical and classical accuracy over modern surveying techniques.
The composition is organised around a central orientation, with the cardinal directions marked in Latin along the borders. The map features a decorative cartouche in the lower-left corner, which provides the title and context in Latin. The typography is clear, with place names and tribal designations etched in a formal serif script. The use of line work is precise, creating a clear distinction between the waterways and the landmasses. The map serves as a record of how seventeenth-century scholars interpreted ancient Roman geography, reflecting the intellectual interests of the Dutch Golden Age.
Jan Matthysz. produced this work with a focus on clarity and historical detail. The etching technique allows for the fine lines necessary to delineate the complex river networks and the dense clusters of trees that populate the terrain. The map does not attempt to provide a realistic view of the region but instead offers a schematic representation of historical boundaries and locations. It remains a useful document for those interested in the history of cartography and the reception of classical antiquity in early modern Europe. The print is presented on high-quality paper, preserving the fine details of the original copperplate engraving.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
Care & Cleaning
To keep your artwork looking its best:
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like
We use cookies to measure our marketing and see which prints people love.We use cookies to measure our marketing.
By continuing to browse, you agree · Privacy Policy