A refined lithograph by Eugène Leroux, depicting a winged putto as an allegory of Justice, rendered with academic precision and soft tonal modelling.

This lithograph by Eugène Leroux presents an allegorical depiction of Justice, rendered in the precise, controlled style characteristic of nineteenth-century French Academic art. The figure is a winged putto, a common motif in European art used to represent abstract concepts through youthful, idealised forms. The subject holds a set of scales, the traditional attribute of Justice, which are balanced with careful attention to anatomical proportion and light.

Leroux employs a sophisticated tonal range to model the figure. The use of lithography allows for soft transitions between shadow and light, creating a sense of volume in the musculature of the child. The wings are depicted with delicate strokes, providing a textural contrast to the smooth skin of the figure. The composition is balanced and static, reflecting the period's preference for clarity and order in allegorical representation. The background remains minimal, ensuring the focus remains entirely on the symbolic weight of the scales and the innocence of the figure holding them.

Eugène Leroux, a student of François-Édouard Picot, was well-versed in the rigorous training of the École des Beaux-Arts. His work often explored themes of genre painting and classical allegory. This print demonstrates his technical proficiency in graphic media, capturing the subtle gradations of charcoal or graphite through the lithographic process. The work is a fine example of the period's interest in classical iconography, adapted for the medium of printmaking. It offers a clear, measured view of a traditional subject, devoid of excessive ornamentation, relying instead on the strength of the draughtsmanship and the clarity of the allegorical message. The print is presented on paper with the original margins, maintaining the integrity of the historical document.