Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A reproduction of the 30 July 1933 front page of Pravda, featuring a Constructivist photomontage by Gustavs Klucis.
This piece is a reproduction of the front page of the Soviet newspaper Pravda, dated 30 July 1933. It features a characteristic photomontage by the Latvian artist Gustavs Klucis, a figure associated with the Constructivist movement. The composition employs a hierarchical arrangement of photographic portraits, placing the figures of Lenin and Stalin in a dominant position, overlapping one another to suggest a continuity of leadership. Surrounding these figures are smaller portraits of other party members, creating a grid-like structure that organises the visual information into a clear, ideological narrative.
Klucis was a pioneer in the use of photomontage as a tool for mass communication. His work often combined disparate photographic elements with bold typography to create a unified graphic statement. In this instance, the visual elements are integrated with the masthead and the printed text of the newspaper, which commemorates the thirtieth anniversary of the Bolshevik Party. The design reflects the aesthetic priorities of the era, where the clarity of the message and the authority of the depicted figures were paramount. The use of monochrome printing and the stark contrast between the photographic elements and the surrounding text are typical of the graphic design produced for state-sanctioned publications during this period.
As a historical document, this print offers insight into the visual culture of the Soviet Union in the early 1930s. It demonstrates how graphic design was utilised to construct a specific public image of political history and party unity. The print is presented here as a high-quality reproduction, maintaining the original layout and the specific typographic choices of the 1933 publication. It serves as an example of the intersection between fine art techniques and the functional requirements of political journalism in the twentieth century.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Our Features
Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
To keep your artwork looking its best:
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
Gustavs Klucis
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