Jour de lenteur - Yves Tanguy
Archival giclée
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Description
Yves Tanguy's *Jour de lenteur* (1937) presents a dreamlike landscape populated with biomorphic forms and geometric structures. This oil on canvas painting exemplifies Tanguy's mature Surrealist style, evoking a sense of stillness and mystery.
Yves Tanguy's 1937 oil on canvas, *Jour de lenteur* (Day of Slowness), exemplifies the artist's mature Surrealist style. Born in Paris, Tanguy was a self-taught artist who became a key figure in the Surrealist movement. His works are characterised by dreamlike, otherworldly environments populated by biomorphic forms and ambiguous objects. He developed a distinctive visual language that explored the subconscious and challenged conventional perceptions of reality. In *Jour de lenteur*, a stark, horizonless plane stretches into the distance, divided by bands of light and shadow. Strange, organic shapes populate the scene, casting long, dramatic shadows. A large, geometric structure dominates the left side of the canvas, its sharp edges contrasting with the soft, rounded forms scattered throughout the composition. The sky is a gradient of blues and greys, adding to the painting's sense of unease and mystery. The overall effect is one of stillness and silence, inviting the viewer to contemplate the enigmatic relationships between the objects and their surroundings. Tanguy's Surrealist landscapes often evoke a sense of isolation and alienation, reflecting the anxieties and uncertainties of the interwar period. His work continues to fascinate viewers with its unique blend of abstraction and representation, inviting interpretation and speculation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Jour de lenteur - Yves Tanguy
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Yves Tanguy
He was born in Paris in 1900. He briefly joined the merchant navy in 1918 before being drafted into the army, where he met the poet Jacques Prevert, who later introduced him to Andre Breton's Surrealist circle. He joined the Surrealists in 1925 and had his first solo show just two years later, having taught himself everything.
His paintings consistently depict flat, featureless landscapes resembling sea floors or alien terrain, populated by biomorphic forms that look like melted rocks or bones. He never explained them. The palette is muted, the horizons infinite, the atmosphere airless. The same vocabulary of forms appears across decades of work with only gradual variation.
He married the American Surrealist painter Kay Sage in Reno, Nevada, in 1940. They settled in Woodbury, Connecticut, converting an old farmhouse into a studio. He died there in 1955, aged fifty-five.
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