A dynamic historical drawing by Jacobus Buys depicting the 1672 assault on Dutch statesman Johan de Witt, rendered in pen and grey wash.

This work by Jacobus Buys depicts the violent assault on the Dutch statesman Johan de Witt in 1672. The scene captures a moment of intense political turmoil during the Rampjaar, or Year of Disaster, when the Dutch Republic faced simultaneous invasions and internal civil unrest. Buys, a Dutch painter and draughtsman known for his historical and allegorical subjects, employs a fluid pen and ink technique combined with grey wash to convey the chaotic energy of the mob violence.

The composition focuses on the central figure of Johan de Witt, who is shown being set upon by armed assailants. The artist uses expressive, gestural lines to define the figures, while the application of wash creates depth and shadow, suggesting the grim atmosphere of the event. The architectural background, though rendered with relative simplicity, provides a sense of place, grounding the historical narrative within a recognisable urban setting. The use of light and shadow directs the viewer's attention to the struggle, capturing the brutality of the assassination attempt that would eventually lead to the deaths of Johan and his brother Cornelis de Witt.

Buys was active during the late eighteenth century, a period when historical subjects were frequently revisited to reflect on the political identity of the Netherlands. This drawing functions as a documentary record of a traumatic national event, interpreted through the stylistic conventions of the era. The work demonstrates the artist's ability to balance narrative clarity with a dynamic, sketch-like quality. It remains a significant example of Dutch historical illustration, offering a window into how the events of the seventeenth century were perceived and visualised by later generations of artists.