Jerusalem from the Mount of Olives - David Roberts
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed topographical lithograph by David Roberts, capturing a panoramic view of Jerusalem from the Mount of Olives in 1839.
David Roberts, a Scottish painter, travelled to the Near East in 1839 to document the architecture and topography of the region. This work depicts the city of Jerusalem as viewed from the Mount of Olives, a vantage point that provides a comprehensive perspective of the city walls and the Dome of the Rock. The composition relies on a clear division between the foreground, where a small group of figures rests in the shade of the hillside, and the expansive, sun-drenched valley leading toward the city.
Roberts utilised a precise, observational approach to capture the arid terrain and the specific architectural details of the holy sites. The lithographic process allows for subtle gradations in tone, particularly in the rendering of the hazy, atmospheric light that blankets the distant city. The foreground figures provide a sense of scale, contrasting the human element against the vast, open geography of the region. This print is part of the broader documentation Roberts produced during his travels, which were later published in his multi-volume work, The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia.
By focusing on the interplay of light and shadow across the limestone hills, Roberts conveys the quiet, expansive nature of the site. The work avoids dramatic artifice, preferring a measured, documentary style that reflects the nineteenth-century interest in exploration and the recording of distant cultures. The muted palette of ochre, pale blue, and soft grey reinforces the dry, warm climate of the Levant. This print offers a view into the historical appearance of Jerusalem, captured with the technical skill of a draughtsman who prioritised accuracy and clarity in his depictions of foreign locales.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jerusalem from the Mount of Olives - David Roberts
Artist Biography
David Roberts
In 1838 he sailed for Egypt and spent the next two years travelling through the Middle East, filling sketchbooks with drawings of temples, mosques, ruins and desert landscapes that almost no British artist had recorded before. To enter the mosques he had to shave off his sideburns, leave his hog-hair brushes behind (the pig being unclean), and wear traditional Arab clothing while he worked. He was one of the first Europeans allowed to paint inside a mosque.
The sketches became The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, a series of 247 lithograph plates produced in collaboration with the printer Louis Haghe between 1842 and 1849. He funded the project through advance subscriptions, soliciting them personally. Queen Victoria was subscriber number one. Her complete set is still in the Royal Collection.
The lithographs gave Europeans their first detailed visual record of the ancient Near East. They were bought as art, used as reference by scholars, and shaped the Western imagination of Egypt and Palestine for the rest of the century.
His personal life was less composed. His wife Margaret became an alcoholic and in 1831 he sent her back to Scotland to be cared for by friends. He raised their daughter Christine largely alone. He was elected to the Royal Academy in 1841, a considerable achievement for a man who had started painting houses, and worked steadily until his death in 1864.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like