A lithograph by Paul Signac depicting a utopian vision of a peaceful, egalitarian society through rhythmic lines and balanced composition.

In the Time of Harmony, originally titled Au temps d'harmonie, represents a significant departure from the typical maritime subjects associated with Paul Signac. This lithograph serves as a visual manifesto for the anarchist ideals held by the artist during the late nineteenth century. The composition depicts a peaceful, egalitarian society where individuals engage in leisure, artistic pursuits, and agricultural labour without the constraints of industrialisation or class hierarchy. Signac employs a refined application of his signature divisionist technique, though adapted here for the medium of print. The lines are deliberate and rhythmic, creating a sense of order that mirrors the utopian theme of the work. Figures are distributed across the foreground and middle ground, participating in various activities: a man reaches for fruit from a tree, a couple dances, and a child plays on the grass. In the distance, a sailing vessel glides across the water, suggesting a connection to the wider world while maintaining the serenity of the immediate setting. Unlike his oil paintings, which rely on the optical mixing of small dots of colour, this lithograph utilises linear hatching to define form and shadow. The palette remains light and airy, contributing to the overall sense of optimism. The inclusion of a painter at an easel in the background acts as a self-referential nod to the role of the artist in documenting or imagining such a society. This work provides a window into the intellectual climate of the French avant-garde, where aesthetic experimentation was frequently linked to radical political thought. The balance between the human figures and the natural environment suggests a harmonious existence, free from the pressures of modern urban life. It remains a clear example of how Neo-Impressionist methods were applied to convey complex social narratives.