Illustration for Die Traumenden Knaben - Oskar Kokoschka
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A striking 1908 lithograph by Oskar Kokoschka, featuring the bold lines and dreamlike narrative style of early Austrian Expressionism.
This work is a lithograph from the 1908 publication Die Traumenden Knaben (The Dreaming Boys), a seminal project in early twentieth-century Austrian art. Oskar Kokoschka produced this book while still a student at the Kunstgewerbeschule in Vienna. The imagery reflects the transition from the decorative aesthetics of the Vienna Secession toward the psychological intensity of Expressionism.
The composition presents a flattened, dreamlike narrative space. Figures in small boats navigate dark waters, while others occupy rocky, green-hued landforms. Kokoschka employs bold, black outlines to contain areas of flat colour, a technique that draws upon folk art and medieval woodcut traditions. The stark contrast between the deep, dark background and the pale, simplified forms of the figures creates a sense of detachment from reality. The fish and wave motifs are rendered with a rhythmic, graphic quality that unifies the scene.
Die Traumenden Knaben was dedicated to Gustav Klimt, yet the visual language here departs from Klimt's ornamental style. Instead, Kokoschka introduces a raw, subjective approach to storytelling. The figures possess a fragile, elongated quality, typical of the artist's early graphic work. This print captures the tension between innocence and anxiety, themes that recur throughout Kokoschka's career. The work remains a significant example of the avant-garde book design produced in Vienna during the period, demonstrating a move away from traditional perspective in favour of symbolic, emotive representation.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Illustration for Die Traumenden Knaben - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

