I am like that character of Henri Monnier who doesn't like spinach. I don't like the piano, and I am happy about that because if I did like the piano, my wife would play the hunting-horn. - Paul Gavarni
Archival giclée
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Description
A satirical lithograph by Paul Gavarni showing a man and woman with the caption 'I am like that character of Henri Monnier who doesn't like spinach. I don't like the piano, and I am happy about that because if I did like the piano, my wife would play the hunting-horn…'.
This lithograph by Paul Gavarni, a French caricaturist and illustrator, captures a scene of domestic discontent with a touch of humour. Gavarni, born Hippolyte Guillaume Sulpice Chevalier, was known for his satirical observations of Parisian life, particularly during the reign of Louis-Philippe. His work often appeared in periodicals such as 'Le Charivari'. The image depicts a man with a moustache, dressed in a striped coat, standing with his hands in his pockets. Behind him, a woman sits at a piano, her figure somewhat faded, suggesting a secondary role or perhaps a source of annoyance. The text below the image, 'Je suis comme ce personnage d'Henry Monnier, qui n'aime pas les épinards. Je n'aime pas le piano, et j'en suis content, parce que si j'aimais le piano, ma femme jouerait du cor de chasse…', translates to 'I am like that character of Henri Monnier who doesn't like spinach. I don't like the piano, and I am happy about that because if I did like the piano, my wife would play the hunting-horn…'. This caption provides context, revealing the man's aversion to the piano and his fear of his wife's potential musical pursuits. The lithograph's style is characterised by fine lines and detailed cross-hatching, typical of Gavarni's illustrative technique. The composition is simple, focusing on the two figures and their implied relationship. The overall tone is light-hearted, reflecting Gavarni's talent for capturing the absurdities of everyday life.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
I am like that character of Henri Monnier who doesn't like spinach. I don't like the piano, and I am happy about that because if I did like the piano, my wife would play the hunting-horn. - Paul Gavarni
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
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Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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