A portrait of Hyacinthe-Gabrielle Roland by Louise Elisabeth Vigée Le Brun, painted in 1791 during the artist's exile.

This portrait depicts Hyacinthe-Gabrielle Roland, an actress who later became the Marchioness of Wellesley. Painted by Louise Elisabeth Vigée Le Brun in 1791, the work captures the subject during the artist's period of exile from France following the Revolution. Vigée Le Brun, who gained fame as the favoured portraitist of Marie Antoinette, applied her signature approach to this composition, focusing on the naturalistic rendering of skin tones and the soft, tactile quality of the subject's hair.

The sitter is shown in a three-quarter view, her gaze directed slightly away from the viewer. Her loose, flowing hair is held back by a simple band, contributing to the informal, intimate character of the portrait. The clothing, featuring a dark wrap over a lighter bodice, provides a contrast that draws attention to the subject's face and the delicate handling of light across her shoulders. The background is a muted, atmospheric blue, which prevents distraction from the central figure and allows the warm tones of the skin to emerge.

Vigée Le Brun was known for her ability to balance the formal requirements of portraiture with a sense of personal ease. In this instance, the brushwork is fluid, particularly in the treatment of the hair and the folds of the fabric. The painting reflects the artist's technical proficiency, developed through years of study and professional practice in the European courts. By avoiding rigid poses, she created a sense of immediacy that was highly sought after by her contemporaries. This work remains a clear example of her skill in capturing the personality of her sitters while maintaining a refined aesthetic sensibility. The portrait is currently held in the collection of the Wallace Collection in London, where it is appreciated for its clarity and the artist's command of colour.