A modernist watercolour by August Macke, featuring a house in a garden rendered with translucent, overlapping colour washes and simplified geometric forms.

August Macke produced this watercolour in 1914, a period marked by his pursuit of pure colour and light. The composition depicts a domestic structure partially obscured by foliage, rendered through a series of overlapping, translucent washes. Macke avoids traditional perspective, opting instead for a flattened arrangement of geometric planes that suggest the architecture of the house and the surrounding greenery. The palette relies on high-chroma pigments, with the orange roof providing a warm contrast to the deep blues and cool greens of the garden. Macke applies the paint with a fluid, spontaneous quality, allowing the white of the paper to remain visible in several areas. This technique creates a sense of luminosity, as if the scene is illuminated by strong, direct sunlight. The forms are simplified, reducing the house and trees to their essential shapes, which aligns with his interest in the synthesis of form and colour. Unlike the more aggressive or distorted works of his contemporaries in the Der Blaue Reiter group, Macke maintains a sense of harmony and balance. His approach to the subject is observational yet highly stylised, focusing on the sensory experience of the environment rather than a literal transcription of the scene. The work reflects his travels and his ongoing dialogue with French modernism, particularly the influence of Henri Matisse and Robert Delaunay. By stripping away unnecessary detail, Macke invites the viewer to focus on the interplay of light and shadow across the surface. This piece remains a clear example of his ability to capture a fleeting moment with economy and precision, demonstrating his mastery of the watercolour medium in the final year of his life.