Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

An early etching by Odilon Redon, depicting two figures on horseback in a rugged, shadowed landscape, showcasing the artist's mastery of line and tone.
This etching by Odilon Redon, titled Horsemen in Combat (Lutte de cavaliers), offers a glimpse into the early graphic work of an artist better known for his later dreamlike, monochromatic lithographs. Created around 1865, this piece demonstrates Redon's technical engagement with the medium of etching during his formative years. The composition features two figures on horseback engaged in a struggle, set against a rugged, shadowed terrain that suggests a desolate or mountainous environment. Redon employs a dense network of cross-hatching and varied line weights to construct the forms of the horses and their riders. The heavy application of ink in the background creates a sense of atmospheric pressure, pushing the figures into the foreground. The treatment of the sky, rendered with horizontal, rhythmic lines, contrasts with the more chaotic, jagged marks used to define the rocky ground. This approach to texture and light reflects the influence of earlier printmakers, such as Rembrandt and Rodolphe Bresdin, who were essential to Redon's development as a draughtsman. Unlike the ethereal, often surreal subjects that define his later career, this work remains grounded in a more traditional narrative style. The focus is on the physical tension of the encounter and the interplay of shadow across the scene. The print captures a moment of conflict, yet the ambiguity of the setting and the obscured features of the riders lend the image a sense of mystery. It provides a clear view into the artist's early mastery of light and shadow, demonstrating his ability to create mood through the manipulation of ink and plate. This fine art print is a reproduction of the original etching, maintaining the tonal depth and textural quality of the artist's initial impression.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
working exclusively in black for twenty years (floating eyeballs, severed heads, plants with teeth), then switching to colour so completely the Surrealists and the Fauves claimed different halves
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