Homage to the Square: La Tehuana - Josef Albers
Archival giclée
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Description
Josef Albers' 'Homage to the Square: La Tehuana' is an abstract exploration of colour perception, featuring nested squares in yellow, pink, and orange. This work exemplifies Albers' theories on how colours interact and influence one another.
Josef Albers, a German-American artist and educator (1888-1976), is best known for his abstract works, particularly his series 'Homage to the Square'. This series, which he began in 1949 and continued until his death, explores the subjective experience of colour perception. Albers believed that colour is never seen in isolation; it is always affected by its surrounding colours. 'Homage to the Square' is not about geometric shapes, but about the interaction of colours and how they affect one another. Each painting in the series consists of three or four squares of different colours, nested within each other. The squares are typically painted with a palette knife, creating a slightly textured surface that adds to the visual interest. 'Homage to the Square: La Tehuana' features a composition of nested squares in shades of yellow, pink, and orange. The colours are carefully chosen to create a sense of depth and luminosity. The interaction of the colours creates a visual vibration, as the eye attempts to reconcile the different hues. The painting is a testament to Albers' belief that colour is a constantly changing and subjective experience.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Homage to the Square: La Tehuana - Josef Albers
Our Features
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Josef Albers
He was born in 1888 in Bottrop, Westphalia, into a Roman Catholic craftsman's family. He worked as a schoolteacher for five years before deciding to study art, joining the Bauhaus as a student in 1920 and becoming a faculty member by 1922. He married Anni Fleischmann, a Bauhaus textile student, in 1925.
At Black Mountain, his students included Robert Rauschenberg, Cy Twombly, Ruth Asawa, and Ray Johnson. He left in 1950 to head the Department of Design at Yale, where he taught until retirement in 1958. The teaching produced Interaction of Color (1963), a text arguing that colour can only be understood in context, never in isolation. It remains a standard reference.
The Homage to the Square series occupied the rest of his life: nested squares of colour, painted obsessively, with every pigment and proportion meticulously recorded. The paintings look simple. The colour relationships within them are not. He died in 1976.
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