An early 1834 watercolour portrait by Ukrainian artist Taras Shevchenko, featuring a woman with ringlets and a soft, classical aesthetic.

This portrait, executed in 1834, represents an early example of Taras Shevchenko's artistic development. During this period, Shevchenko was refining his technical abilities in drawing and painting while residing in Saint Petersburg. The work displays a focus on classical portraiture conventions, common among students of the Imperial Academy of Arts at the time.

The subject is depicted with a direct gaze, framed by tightly curled ringlets that fall to the shoulders. The artist employs a soft, muted colour palette, relying on subtle washes of watercolour to define the contours of the face and the drape of the fabric across the shoulders. The background is rendered with a textured, hatched effect, which provides a neutral contrast to the smooth application of paint on the skin tones. This choice of background treatment draws the viewer's attention to the facial features, particularly the eyes and the delicate modelling of the nose and chin.

Shevchenko's approach to this study demonstrates his interest in capturing individual character through precise line work and controlled shading. The composition is balanced, adhering to traditional portrait formats that prioritise clarity and anatomical accuracy. As a piece from his formative years, it offers insight into the academic training he received before his later career as a poet and painter. The signature and date are visible in the lower left corner, confirming its provenance within his early catalogue of works. This print captures the nuanced application of watercolour, preserving the original texture of the paper and the gentle transitions between light and shadow that define the artist's early style.