Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A haunting lithograph by Odilon Redon, depicting a mysterious scene from the Temptation of Saint Anthony with dramatic light and shadow.
This lithograph, titled He Raises the Bronze Urn, belongs to the series dedicated to the Temptation of Saint Anthony. Odilon Redon produced several versions of this subject, drawing inspiration from the literary work by Gustave Flaubert. The composition relies on the stark contrast between deep, velvety blacks and luminous whites, a technique Redon mastered through his extensive work with charcoal and lithographic stone. In this scene, a figure stands in the shadows, holding an urn aloft. The light emanating from the vessel illuminates the surrounding space, casting a glow upon the woman standing nearby. Her expression remains ambiguous, caught between curiosity and detachment. Redon avoids clear narrative exposition, preferring to create an atmosphere of mystery. The textures are achieved through varied mark-making, ranging from dense, cross-hatched shadows to soft, ethereal light effects that seem to dissolve the forms into the background. Redon was a central figure in the Symbolist movement. His work often explored the interior life, dreams, and the subconscious. By focusing on the psychological tension between the two figures, he moves away from literal representation. The print demonstrates his ability to manipulate light as a narrative device, where the darkness is not merely an absence of illumination but a physical presence that shapes the viewer's perception of the scene. The lithographic process allows for a range of grey tones that soften the edges of the figures, contributing to the dreamlike quality of the image. This piece is a fine example of his technical skill and his thematic interest in the intersection of the real and the imagined.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
working exclusively in black for twenty years (floating eyeballs, severed heads, plants with teeth), then switching to colour so completely the Surrealists and the Fauves claimed different halves
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