Green and Tangerine on Red - Mark Rothko
Archival giclée
Ready to hang
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Description
A classic example of Rothko's colour field paintings, 'Green and Tangerine on Red' features bold blocks of colour that invite contemplation and add a touch of modern sophistication to any space.
Mark Rothko's 'Green and Tangerine on Red', painted in 1956, exemplifies his signature style of Abstract Expressionism. Rothko, a Latvian-born American painter, is renowned for his large-scale colour field paintings that evoke profound emotional responses. This work features two dominant rectangular blocks of colour: a deep, muted green at the top and a vibrant tangerine orange below, both set against a subtle red ground. The edges of the rectangles are soft and blurred, creating a sense of depth and allowing the colours to bleed into one another. Rothko aimed to create contemplative spaces through his art, inviting viewers to immerse themselves in the colours and experience a sense of the sublime. The painting's monumental scale and intense colour relationships create a powerful visual experience. As a fine art print, 'Green and Tangerine on Red' brings a touch of modern sophistication to any interior, offering a focal point for contemplation and a bold statement of artistic taste. Its harmonious yet striking colour palette makes it a versatile addition to both minimalist and maximalist decor styles, adding depth and intrigue to living rooms, studies, or hallways.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Green and Tangerine on Red - Mark Rothko
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Mark Rothko
Rothko's artistic journey evolved from early figurative works to his signature style of large, luminous rectangles of colour. These weren't mere exercises in aesthetics; Rothko intended them to be immersive experiences. He meticulously controlled the lighting and viewing conditions of his exhibitions, wanting viewers to be enveloped by the canvases and to contemplate their own existence. Famously, Rothko was commissioned to create murals for the Four Seasons Restaurant in New York, but he ultimately withdrew from the project, feeling it was inappropriate for such a setting.
Tragically, Mark Rothko's life ended in suicide in 1970, but his legacy endures. His paintings continue to captivate and challenge audiences, prompting introspection and emotional responses. Rothko's works, such as "Orange, Red, Yellow", are not just paintings; they are invitations to contemplate the human condition. His art remains a powerful testament to the expressive potential of abstract form.
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