A moody, atmospheric oil sketch by Tom Roberts capturing a couple walking through a rain-slicked city street at dusk.

Going Home is a small, evocative oil sketch by Tom Roberts, a central figure of the Heidelberg School. The work captures a fleeting moment of urban life, likely set in Melbourne during the late nineteenth century. Roberts employs a rapid, painterly technique, using visible brushstrokes to convey the atmosphere of a wet, rain-slicked street at dusk. The composition is dominated by the silhouettes of a couple walking under a shared umbrella, their forms rendered with minimal detail to emphasise their anonymity and the mood of the evening.

The palette is restrained, relying on cool greys, browns, and muted tones to represent the damp pavement and the encroaching darkness. In contrast, the sky above features a brief, warm glow of orange and yellow, suggesting the final light of the sun breaking through heavy clouds. This juxtaposition of the dark, reflective ground and the fading light creates a sense of quiet intimacy. The wet surface of the road acts as a mirror, catching the faint illumination from distant street lamps and the sky, which adds depth to the small panel.

Roberts was known for his ability to observe the everyday life of his contemporaries. This work demonstrates his interest in capturing the transient effects of weather and light, a hallmark of the Impressionist approach he helped introduce to Australian art. By focusing on the mundane act of walking home, he elevates a common experience into a study of tone and texture. The economy of the brushwork reflects the artist's focus on immediate perception rather than academic precision. The painting remains a fine example of the small-scale, spontaneous works that defined the plein air practice of the Heidelberg School artists, who often carried small cigar-box lids or wooden panels to record their impressions of the city and the bush.