Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A nineteenth-century photographic study by Édouard Denis Baldus documenting plaster models for sculptures at the Palais du Louvre.
This photographic study by Édouard Denis Baldus documents the plaster models for sculptural commissions intended for the Palais du Louvre in Paris. During the mid-nineteenth century, the French government commissioned extensive renovations and expansions of the Louvre, a project that required a vast programme of decorative sculpture. Baldus, a photographer of significant technical skill, was engaged to record the progress of these works, including the preparatory models produced by various sculptors.
The image presents two distinct figures side by side against a plain, neutral background. On the left, the model for the statue of the poet and critic Nicolas Boileau, created by Gabriel Bernard Seurre, is shown in period attire. On the right stands the model for the statue of the theologian and writer François Fénelon, executed by Jean Bonnassieux. The stark, monochromatic nature of the salted paper print allows for a clear examination of the sculptural form, the texture of the plaster, and the drapery of the garments.
Baldus utilised photography as a tool for archival documentation, capturing the ephemeral state of these models before their translation into permanent stone or bronze. His approach is objective and precise, focusing on the clarity of the subjects rather than artistic interpretation. The composition is straightforward, presenting the figures as isolated objects of study. This work provides insight into the intersection of nineteenth-century architectural development and the emerging field of industrial photography. It serves as a record of the collaborative efforts between architects, sculptors, and photographers during the Second Empire. The print reflects the standard practices of the period, where photography was employed to catalogue the vast output of state-sponsored artistic projects, ensuring that the details of these figures were preserved for historical reference.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
Édouard Denis Baldus
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