An allegorical religious print by Sergey Solomko depicting the personification of France presenting her children to the Sacred Heart of Jesus during the First World War.

This work by Sergey Solomko, a Russian artist who spent much of his career in France, captures a moment of national religious fervour during the First World War. The composition depicts an allegorical figure of France, dressed in classical robes, presenting her children to the Sacred Heart of Jesus. In the background, the Basilica of the Sacré-Cœur in Paris rises above the clouds, providing a clear geographical and spiritual context for the scene.

Solomko employs a monochromatic palette, typical of early twentieth-century devotional postcards and propaganda prints. The figure of Christ is rendered with soft, ethereal lines, suggesting a divine presence that contrasts with the grounded, solid forms of the mother and children. The inclusion of the text, 'La France consacre ses Enfants au Sacré-Cœur de Jésus', clarifies the intent of the image: to seek divine protection and victory for the nation during a period of conflict. The reference to the 'victory of the Marne' in the lower margin dates the piece to the later years of the Great War, when such imagery was common in French Catholic circles to bolster morale and national identity.

The artist demonstrates a mastery of academic draughtsmanship, focusing on the emotive gestures of the figures and the symbolic weight of the iconography. The drapery of the garments is handled with precision, creating a sense of movement and grace. This print serves as a historical document of the intersection between religious devotion and wartime nationalism in early twentieth-century France. It reflects the visual language used to communicate complex political and spiritual messages to a wide audience through mass-produced media.