Flor de Pascua or Easter Flower, at Morro Velho, Brazil - Marianne North
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Description
A botanical study of a poinsettia plant by Marianne North, 'Flor de Pascua or Easter Flower, at Morro Velho, Brazil' showcases the artist's meticulous brushwork and dedication to documenting the world's plant life.
Marianne North (1830-1890) was a British biologist, botanical artist, and world traveller. She is known for her detailed botanical illustrations, which she created during her extensive travels across the globe. North travelled alone to many countries in the Americas, Asia, and Africa, documenting the flora of each region. Her work is characterised by its scientific accuracy and artistic skill. She bequeathed her collection of paintings to the Royal Botanic Gardens, Kew, where a gallery was built to house them. 'Flor de Pascua or Easter Flower, at Morro Velho, Brazil' is a botanical study of a poinsettia plant. The composition focuses on the plant's distinctive red bracts and green leaves. The artist's meticulous brushwork captures the textures and forms of the plant with precision. The colour palette is dominated by the contrast between the bright red of the bracts and the deep green of the foliage. The painting reflects North's dedication to documenting the world's plant life with scientific accuracy and artistic flair.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Flor de Pascua or Easter Flower, at Morro Velho, Brazil - Marianne North
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Specific Features
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
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