Female Rider - Ernst Ludwig Kirchner
Archival giclée
Ready to hang
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Made to order
Description
A striking example of German Expressionism, 'Female Rider' by Ernst Ludwig Kirchner features bold colours and simplified forms to convey raw energy and psychological intensity. The painting depicts a female figure on horseback against an abstract background.
Ernst Ludwig Kirchner, a German Expressionist painter and printmaker, was a founder of the artists group Die Brücke (The Bridge), a key group leading to the foundation of Expressionism in 20th-century art. He volunteered for military service in the First World War, but suffered a breakdown and was eventually discharged. In 1937, his work was branded as "degenerate" by the Nazis, and over 600 of his works were removed from German museums. He committed suicide in 1938. 'Female Rider' exemplifies Kirchner's distinctive style, characterised by bold colours and simplified forms. The painting depicts a nude or semi-nude female figure astride a horse, set against an abstract background of green and yellow planes, possibly representing a stylised field or hillside. The composition is striking, with the figures rendered in a deliberately crude manner, typical of Expressionist art's rejection of academic naturalism. The colour palette is intense, featuring contrasting hues of pink, blue, black, green, and yellow, which contribute to the painting's emotional impact. The overall effect is one of raw energy and psychological intensity, reflecting the Expressionist movement's concern with subjective experience and emotional expression.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Female Rider - Ernst Ludwig Kirchner
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Ernst Ludwig Kirchner
Kirchner's art is characterised by its emotional intensity and deliberately crude style. He wasn't interested in pretty pictures; he wanted to expose the psychological truths beneath the surface. Works like 'Girl with Cat (Franzi)' and 'The Café' capture the alienation and unease of urban life, with their jagged lines and clashing colours reflecting the inner turmoil of his subjects. His nudes, such as 'Reclining Nude (Isabella)', possess a raw sensuality, far removed from classical ideals of beauty.
Today, Kirchner's art resonates with collectors who appreciate its unflinching honesty and powerful emotional impact. His willingness to confront the darker aspects of the human condition paved the way for future generations of artists. Owning a Kirchner print is not just about possessing a beautiful object; it's about engaging with a vital and enduring expression of the modern human experience.
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