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Feb 2-54 (Ben Nicholson) - Ben Nicholson

Sale price£32.50 Regular price£37.00
Product: Fine Art Poster
Size: Small Square (30x30 cm)
Frame: -
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  • Made in the UK

A 1954 abstract composition by British artist Ben Nicholson, 'Feb 2-54 (Ben Nicholson)' features overlapping geometric shapes in a muted palette, delineated by thin, dark lines.

Ben Nicholson (1894-1982) was a British artist known for his abstract compositions and subtle use of colour. Nicholson's work often explored the interplay between geometric forms and the use of texture to create depth. He was associated with the abstract expressionist movement, though his style remained uniquely his own. Nicholson was married to Barbara Hepworth from 1938 to 1951. 'Feb 2-54 (Ben Nicholson)' exemplifies Nicholson's mature style. The painting features a composition of overlapping geometric shapes, rendered in a muted palette of greys, browns, and creams, with small accents of red, blue, green, and purple. Thin, dark lines delineate the forms, adding a sense of structure to the composition. The layering of shapes creates a sense of depth, while the overall effect is one of quiet contemplation.

Crafted for a Lifetime

  • Premium materials

    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

  • Museum-grade prints

    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

  • Crafted in the UK

    Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.

  • Ready to hang

    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

Crafted for a Lifetime — frame exploded view

Find the finish that fits your home

Select from our premium printing options to bring your artwork to life

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Fine Art Poster

Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

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Museum Quality Poster

Our Master's Edition 250gsm archival paper, in off-white and uncoated, offers museum-quality for art enthusiasts seeking a luxurious way to enjoy world-class artworks.

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Fine Art Framed

The same 200gsm fine art paper and 12-colour giclée process as our museum posters, mounted in a solid wood frame with UV acrylic glaze and rigid backing. Ready to hang.

standard-frame

Standard Wood Frame

Classic 200gsm premium matte paper with 8-colour giclée printing, set in a durable wooden frame with lightweight acrylic glaze. Ready to hang.

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Canvas

Gallery-wrapped slim canvas, hand-stretched for clean edges. Adds depth and texture for a painterly finish. Delivered ready to hang.

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Framed Canvas

Our premium finish, a richly textured canvas set in an elegant floating wood frame. Combines depth, texture, and craftsmanship for a gallery-worthy presentation. Delivered ready to hang.

What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk
Ben Nicholson

Ben Nicholson

son of two painters who found Alfred Wallis in a fisherman's cottage, visited Mondrian in Paris, and spent nineteen years painting St Ives