Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Eretria, Euboea, Greece - Edward Lear
Regular price
£37.00 GBP
Sale price
£37.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A delicate 1848 watercolour and ink sketch by Edward Lear, capturing the arid coastal terrain and mountainous horizon of Eretria, Greece.
This work by Edward Lear captures the coastal terrain of Eretria on the island of Euboea. Executed in 1848, the piece demonstrates the artist's characteristic approach to topographical documentation. Lear travelled extensively through Greece during this period, producing numerous sketches that combined precise pen-and-ink outlines with light, atmospheric watercolour washes.
The composition is structured around the horizontal expanse of the plain, leading the eye toward the mountainous forms in the distance. Lear employs a muted palette of ochre, pale blue, and earthy brown tones to convey the arid quality of the Mediterranean environment. The foreground features rough, gestural marks that suggest rocky outcrops and scrub vegetation, providing a sense of scale against the broader geological features of the background. Small architectural elements are rendered with minimal detail, indicating the presence of human habitation without distracting from the natural geography.
Lear's technique relies on the economy of line. He uses ink to define the contours of the hills and the structures, while the watercolour is applied in thin, translucent layers to suggest the quality of light. This method allowed him to record his observations quickly while on the move, maintaining a balance between scientific accuracy and artistic interpretation. The work reflects the nineteenth-century interest in the classical world and the documentation of remote locations for a British audience. It remains a clear example of the travel sketches that informed his larger, more finished oil paintings produced later in his studio. The paper shows signs of age, consistent with its history as a working sketch from a travel portfolio.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Eretria, Euboea, Greece - Edward Lear
Regular price
From £37.00 GBP
Sale price
From £37.00 GBP
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Edward Lear
By the time Edward Lear was 20, he had completed his scientific illustration volume on parrots for the Zoological Society of London, a project that caught the attention of the 13th Earl of Derby. That commission led to a five-year residency at Knowsley Hall, where Lear drew the Earl's private menagerie and, for the grandchildren of the household, filled notebooks with limericks and comic drawings. A Book of Nonsense was published in 1846; the expanded edition under his own name in 1861 established him as the forefather of the limerick as a literary form.
His landscape career ran simultaneously. From the 1840s he made extended sketching tours through Italy, Albania, Greece, Egypt, Palestine, India, and Ceylon, producing illustrated travel journals of careful documentary precision. In 1846 Queen Victoria sought him out as a drawing teacher, having admired his Italian lithographs; he gave her twelve lessons. Brief study under William Holman Hunt in 1852 introduced Pre-Raphaelite rigour to his oils, though his watercolours and pen-and-ink drawings remain his most direct legacy.
Lear suffered from epilepsy throughout his life, calling it the Demon and concealing it carefully from a society ill-equipped to understand it. He was severely shortsighted from childhood and lived with considerable loneliness, despite the warmth of his nonsense verse. He settled in San Remo in 1871, eventually naming his house Villa Tennyson after his close friend Alfred, Lord Tennyson, for whom he composed settings of 212 poems.
His cat, Foss, was his companion for 15 years. When Lear moved to a larger house in San Remo, he had it built to identical proportions so Foss would not be disoriented. Foss died two months before Lear, in January 1888. The Owl and the Pussycat (1871), containing the word runcible spoon, now in everyday English use, is his most enduring poem.
His landscape career ran simultaneously. From the 1840s he made extended sketching tours through Italy, Albania, Greece, Egypt, Palestine, India, and Ceylon, producing illustrated travel journals of careful documentary precision. In 1846 Queen Victoria sought him out as a drawing teacher, having admired his Italian lithographs; he gave her twelve lessons. Brief study under William Holman Hunt in 1852 introduced Pre-Raphaelite rigour to his oils, though his watercolours and pen-and-ink drawings remain his most direct legacy.
Lear suffered from epilepsy throughout his life, calling it the Demon and concealing it carefully from a society ill-equipped to understand it. He was severely shortsighted from childhood and lived with considerable loneliness, despite the warmth of his nonsense verse. He settled in San Remo in 1871, eventually naming his house Villa Tennyson after his close friend Alfred, Lord Tennyson, for whom he composed settings of 212 poems.
His cat, Foss, was his companion for 15 years. When Lear moved to a larger house in San Remo, he had it built to identical proportions so Foss would not be disoriented. Foss died two months before Lear, in January 1888. The Owl and the Pussycat (1871), containing the word runcible spoon, now in everyday English use, is his most enduring poem.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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