Elk zijn meug (Everyone to His Liking) - Godfried Schalcken
Archival giclée
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Description
A genre painting by Godfried Schalcken, 'Elk zijn meug' (Everyone to His Liking) captures an intimate scene of figures enjoying food, reflecting the social customs and individual preferences of the Dutch Golden Age.
Godfried Schalcken, a Dutch Golden Age painter known for his genre scenes and portraits, created 'Elk zijn meug' (Everyone to His Liking). Schalcken trained with Samuel van Hoogstraten and later with Gerard Dou, absorbing influences from the Leiden fijnschilders (fine painters). He became known for his skill in depicting candlelight and nocturnal scenes. His works often feature moralising or anecdotal themes, reflecting the social customs of the time. 'Elk zijn meug' depicts a group of figures gathered around a table, engaged in the act of eating. A young woman holds an egg, while a child eagerly consumes food from a plate. An older man with spectacles looks on, his expression suggesting amusement or perhaps a subtle critique of the scene. The composition is intimate, drawing the viewer into the domestic setting. The artist's attention to detail is evident in the textures of the clothing and the rendering of light on the faces. The painting's title, inscribed on a piece of paper in the upper right corner, translates to 'Everyone to His Liking', hinting at the individual preferences and indulgences portrayed within the scene.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Elk zijn meug (Everyone to His Liking) - Godfried Schalcken
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Godfried Schalcken
He was born in Made, North Brabant, in 1643, the son of a Latin school rector. He studied under Samuel van Hoogstraten in Dordrecht, then under Gerrit Dou in Leiden, absorbing the highly polished manner of the Leiden fijnschilders. He worked in Leiden, Dordrecht and The Hague, painting genre scenes, portraits and candlelit compositions.
In 1692 he sailed to England hoping to become court painter to William and Mary. He produced unusually large canvases to compete with the incumbent Sir Godfrey Kneller, but the appointment never came. He also served as court painter to the Elector Palatine in Dusseldorf. His atmospheric work inspired Sheridan Le Fanu's gothic horror story Strange Event in the Life of Schalken the Painter, later adapted by the BBC in 1979. He married Francoise van Diemen in 1679 and had seven children, though only one daughter survived to adulthood. He died in The Hague in 1706.
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