Agostino Carracci's 1587 engraving, *Ecce Homo*, depicts Christ after his flagellation, crowned with thorns, and presented to the public. The work exemplifies Carracci's skill as an engraver and his engagement with religious subject matter.

Agostino Carracci's engraving, *Ecce Homo*, created in 1587, presents a scene of profound religious significance. Carracci, an Italian painter, printmaker, and art theorist, was a member of the Carracci family who founded an important art academy in Bologna that was instrumental in promoting the Baroque style. This work exemplifies Carracci's skill as an engraver and his engagement with religious subject matter. The print depicts Christ, crowned with thorns, after his flagellation, presented to the public by Pontius Pilate. The phrase "Ecce Homo," Latin for "Behold the Man," is attributed to Pilate in the Gospel of John. The composition centres on the figure of Christ, his body bearing the marks of suffering. Surrounding him are onlookers, including Roman soldiers and grieving figures, one of whom appears to be the Virgin Mary, who has seemingly fainted. Carracci's use of line is particularly noteworthy; he employs fine, closely spaced lines to create a sense of depth and volume, and to render the textures of skin, fabric, and metal. The print is further distinguished by its attention to detail, from the intricate rendering of Christ's crown of thorns to the expressions on the faces of the surrounding figures. The inscription at the bottom provides dedication details and the year of creation.