A refined double portrait study of Prince Heinrich of Prussia, rendered in charcoal and chalk by American artist William Valentine Schevill in 1902.

This double portrait by William Valentine Schevill captures Prince Heinrich of Prussia in two distinct poses. Executed in 1902, the work demonstrates the artist's technical proficiency in charcoal and chalk. Schevill, an American painter who spent significant time in Germany, became known for his ability to render the likenesses of European aristocracy and high-ranking officials during the turn of the twentieth century.

The composition presents the Prince in profile on the left and in a frontal view on the right. This dual perspective allows the viewer to observe the subject from multiple angles, a technique often employed in preparatory studies or formal portraiture to provide a comprehensive sense of the sitter's presence. The artist uses the warm, neutral tone of the paper as a mid-tone, applying darker charcoal for the shadows and white chalk for the highlights on the collar and facial features. This approach creates a sense of volume and depth without the need for a fully rendered background.

Schevill's handling of the medium is precise. The lines are controlled, defining the structure of the face and the texture of the moustache with clarity. The soft blending of the charcoal around the edges of the figures suggests a focus on the psychological state of the subject rather than environmental detail. The work remains a fine example of early twentieth-century portraiture, reflecting the formal aesthetic standards of the period. The signature and date are visible in the lower left corner, confirming the provenance of this study. It offers a glimpse into the artistic practices of a painter who moved within the circles of the German imperial court, capturing the likeness of a prominent member of the Hohenzollern family with restraint and observational accuracy.