A detailed 1687 etching by Romeyn de Hooghe featuring a formal double portrait of Emperor Leopold I and his son, Joseph I.

This etching by the Dutch artist Romeyn de Hooghe depicts Emperor Leopold I alongside his son, Joseph I, in his capacity as King of Hungary. Produced in 1687, the work reflects the political climate of the late seventeenth century, during which the Habsburg dynasty sought to consolidate its authority across Central Europe. De Hooghe, a prolific printmaker known for his technical precision, employs a classic double-oval format to present the two monarchs. Each figure is framed by a laurel wreath, a traditional symbol of victory and imperial status.

Leopold I is shown on the left, wearing the periwig and lace cravat characteristic of the period, with his features rendered in fine, hatched lines that define the texture of his hair and the metallic sheen of his armour. Beside him, the younger Joseph I is depicted with a softer, more youthful countenance, reflecting his status as the heir apparent. The composition is balanced and formal, adhering to the conventions of royal portraiture common in European print culture of the era. Below each portrait, a pedestal provides the names and titles of the subjects, written in Dutch.

De Hooghe was highly regarded for his ability to capture the nuances of political iconography. His work often appeared in pamphlets and historical accounts, serving to disseminate the image of the Habsburgs to a wider audience. The precision of the line work, particularly in the rendering of the lace and the foliage of the laurel wreaths, demonstrates the skill of a master etcher. This print offers a clear view into the visual language of power used by the Habsburg court to legitimise its rule and project stability during a period of significant territorial expansion and conflict in the region.