A classic Rococo painting by François Boucher, depicting the goddess Diana resting with a nymph after a hunt.

François Boucher, a central figure of the French Rococo, completed this work in 1742. It depicts the goddess Diana, identified by her crescent moon diadem and hunting attributes, resting after a hunt. She is accompanied by a nymph, and the scene includes hunting dogs and game, which establish the narrative context of the goddess of the chase. The composition is characteristic of Boucher, featuring soft, porcelain-like flesh tones contrasted against the deep blues of the drapery and the lush, shadowed foliage of the forest background.

Boucher was a master of the decorative style favoured by the French aristocracy during the reign of Louis XV. His approach to the human form is idealised, prioritising grace and fluid lines over anatomical rigour. The painting demonstrates his ability to integrate mythological subjects into a pastoral setting, a common theme in his oeuvre. The lighting is focused on the figures, creating a sense of intimacy and theatricality. The inclusion of the quiver and the dead game provides a subtle reminder of the goddess's dual nature as both a delicate beauty and a formidable huntress.

This work is currently held in the collection of the Musée du Louvre in Paris. It reflects the aesthetic preferences of the mid-eighteenth century, where art was intended to provide pleasure and visual harmony. The brushwork is smooth, concealing the artist's hand to create a polished surface that enhances the luminous quality of the skin. The arrangement of the figures, with their interlocking limbs and relaxed postures, creates a balanced, triangular composition that draws the eye across the canvas. Boucher's use of colour is deliberate, with the cool tones of the water and the deep greens of the woods providing a backdrop that makes the warm, pale figures appear to glow.