Design for Urne Buriall – Ghosts - Paul Nash
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A surreal and haunting landscape by British modernist Paul Nash, 'Design for Urne Buriall – Ghosts' explores themes of death and memory with delicate pencil strokes and ghostly figures. A perfect fine art print for adding intellectual intrigue to your home.
Paul Nash (1889-1946) was a key figure in British modernism, known for his surrealist landscapes and war art. This work, 'Design for Urne Buriall – Ghosts', created in 1932, reflects Nash's interest in the themes of death, memory, and the uncanny, influenced by Sir Thomas Browne's 'Hydriotaphia, Urn Burial'. The drawing presents a dreamlike landscape populated with ghostly figures and surreal objects, rendered in delicate pencil strokes. A classical torso stands prominently, surrounded by floating heads, ethereal figures, and ambiguous forms that evoke a sense of mystery and unease. The composition is both haunting and evocative, inviting viewers to contemplate the transient nature of existence. As a fine art print, this piece adds a touch of intellectual intrigue and surreal beauty to any space. Its monochromatic palette and intricate details make it a versatile addition to various interior styles, from minimalist to eclectic, sparking conversation and contemplation.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Design for Urne Buriall – Ghosts - Paul Nash
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Paul Nash
Nash sought to capture the 'inner life' of objects and places, blending realism with symbolic representation. His war art, such as 'A Shell Crater', is haunting not for its graphic depiction of violence, but for its evocation of the landscape's wounded psyche. Similarly, works like 'Landscape of the Moon's First Quarter' demonstrate his ability to find the extraordinary in the ordinary, transforming familiar scenes into otherworldly visions. He masterfully walked the line between abstraction and figuration, inviting viewers to contemplate the unseen forces shaping our world.
Today, Paul Nash's art continues to resonate with collectors who appreciate his unique blend of British sensibility and Surrealist vision. His landscapes, whether serene or scarred, offer a profound meditation on the relationship between humanity and the environment. Nash's ability to find beauty and meaning in the most unexpected places ensures his place as a vital and enduring voice in British art history.
You May Also Like