A detailed Flemish engraving by Hieronymus Wierix, depicting the death of the Virgin Mary after a design by Otto van Veen.

This engraving by Hieronymus Wierix depicts the transition of the Virgin Mary, a subject frequently explored in late sixteenth-century Flemish art. Wierix, a member of a prolific family of engravers in Antwerp, demonstrates his technical precision through the use of fine hatching and cross-hatching to define form and shadow. The composition follows the design of Otto van Veen, who provided the initial invention for the print.

The scene shows the Virgin reclining on a bed, surrounded by celestial figures. Above, a divine presence emerges from clouds, while angels gather around the bedside. The figures are rendered with the elongated proportions and graceful, fluid movements characteristic of the Mannerist style. The drapery of the garments is handled with particular care, showing deep folds that suggest weight and volume.

At the base of the print, Latin text from the Song of Songs (Canticle of Canticles) is inscribed, connecting the imagery to broader theological themes of purity and divine love. The inclusion of the publisher's name, Joannes Baptista Vrints, indicates the commercial nature of print production in Antwerp during this period, where collaborations between inventors, engravers, and publishers were standard practice. The work reflects the high level of craftsmanship associated with the Wierix workshop, which was known for producing small-scale, highly detailed devotional prints for a wide audience. The clarity of the lines and the balance of the composition demonstrate the skill required to translate complex painterly designs into the medium of copperplate engraving.