A haunting etching by Alphonse Legros depicting the classic fable of a weary woodcutter encountering the personification of Death.

Alphonse Legros, a French artist who spent much of his career in Britain, produced this etching as part of his exploration of the macabre and the human condition. The composition draws upon the fable of the woodcutter, a figure who, exhausted by his labour, calls upon Death to relieve him of his burdens. When Death appears, the woodcutter is struck by terror, choosing the hardships of life over the finality of the end.

Legros employs a rigorous etching technique, using cross-hatching and varied line weights to create a sense of atmospheric gloom within the forest. The figure of Death is rendered with a stoic, almost sculptural quality, standing in stark contrast to the frantic, hunched posture of the elderly woodcutter. The light filters through the trees in a way that suggests a supernatural presence, casting long shadows that heighten the tension between the two figures.

This work reflects the artist's interest in the graphic traditions of the Old Masters, particularly the works of Rembrandt and Dürer. Legros was a significant figure in the revival of etching in England, and his prints are noted for their technical precision and emotional weight. The scene avoids unnecessary ornamentation, focusing instead on the psychological interaction between the mortal and the personification of mortality. The texture of the woodcutter's clothing and the rough bundle of sticks are captured with a directness that grounds the allegorical subject in a tangible reality. This print offers a sombre meditation on mortality, executed with the restraint and technical mastery characteristic of Legros's graphic output.