Paul Gauguin's 'Day of the God (Mahana No Atua)' is a Post-Impressionist oil painting from 1894, depicting Tahitian figures and deities in a vibrant, dreamlike landscape, reflecting Gauguin's exploration of Polynesian culture and spirituality.

Paul Gauguin's 1894 painting, *Day of the God (Mahana No Atua)*, exemplifies his Post-Impressionist style and his fascination with Polynesian culture. Gauguin spent considerable time in Tahiti, seeking an escape from European civilisation and a return to what he perceived as a more primitive and authentic way of life. This painting reflects his interpretation of Tahitian spirituality and daily existence. The composition is divided into distinct horizontal zones. In the foreground, Tahitian figures are depicted in various states of repose and activity, set against a pink and orange landscape that suggests a dreamlike or otherworldly space. The middle ground features a large, imposing figure of a deity, rendered in a simplified, almost iconic style. In the background, a coastal scene unfolds with figures engaged in everyday activities. Gauguin's use of colour is striking, with bold, non-naturalistic hues creating a sense of heightened reality. The painting's title, inscribed in the lower left corner, translates to 'Day of the God', hinting at the spiritual significance of the scene. The work is currently held at the Art Institute of Chicago.