Composition XXII - Theo van Doesburg
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Description
A geometric abstract composition by Theo van Doesburg, featuring a grid-like arrangement of rectangles and squares in primary and neutral colours. This work exemplifies the De Stijl movement's principles of pure abstraction.
Theo van Doesburg, born Christiaan Emil Marie Küpper, was a Dutch artist who practised painting, writing, poetry, and architecture. He is best known as the founder and leading theorist of De Stijl, a Dutch artistic movement that advocated pure abstraction and universality by a reduction to the essentials of form and colour; he co-founded the movement's journal, *De Stijl*, in 1917. *Composition XXII* is a classic example of Van Doesburg's commitment to geometric abstraction. The painting features a grid-like arrangement of rectangles and squares in a limited palette of primary and neutral colours. A large mustard-yellow square dominates the upper portion of the composition, balanced by smaller blocks of red, blue, black, grey, and white. The arrangement is asymmetrical, creating a dynamic tension within the seemingly ordered structure. The painting reflects the De Stijl principles of reducing art to its most fundamental elements, aiming for a universal visual language.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Composition XXII - Theo van Doesburg
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Specific Features
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- Archival matte fine-art paper, FSC-certified
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Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Theo van Doesburg
He was born in Utrecht in 1883. After encountering Mondrian's work around 1915, he sought him out and together they launched the magazine De Stijl in 1917, along with Bart van der Leck, Vilmos Huszar, J.J.P. Oud and Antony Kok. Van Doesburg was the movement's organiser, publicist and ambassador, travelling across Europe to promote Neoplasticism while Mondrian stayed in his studio.
In 1922 he moved to Weimar and set up an unofficial school near the Bauhaus to attract students to Constructivist and De Stijl ideas. Walter Gropius acknowledged the influence but refused to give Van Doesburg a teaching post. The rivalry was productive: Bauhaus design absorbed De Stijl principles without crediting the source.
The break with Mondrian came over diagonals. Mondrian insisted on strictly horizontal and vertical lines; Van Doesburg introduced the diagonal in his Counter-Compositions, arguing for dynamic rather than static geometry. They stopped speaking. In 1929 they met accidentally in a Paris cafe and reconciled.
He married three times. His third wife, Nelly van Moorsel, was an artist, pianist and choreographer. He died in Davos in 1931, at forty-seven, from a heart attack. De Stijl ended with him.
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